The Deeper Layer
One of the things that struck me about attending the latest incarnation of the International Documentary Festival Amsterdam (IDFA), was learning about the IDFA Fund. Going another layer deeper in helping nonfiction filmmakers out financially, the IDFA Fund was established to provide grants to the subjects of the documentaries screened at the festival. Filmmakers can apply for these grants of one-time donations that can go to individuals, families, villages and neighborhoods whose journeys and struggles we all watch as spectators, sometimes forgetting that the stories don’t end when the credits roll and that, more times than not, there is no happily-ever-after resolution.
I got to spend some time with the talented young Chinese-Canadian filmmaker, Yung Chang, director of the Joris Ivens Award-nominated (and, currently, Sundance-bound), feature doc Up the Yangtze. His film created much buzz at IDFA for its beautiful cinematography and its deep emotionalism in telling the story of Yu Shui and her struggling family against the backdrop of the grandeur of cruise ships sailing down the big Chinese river that brings so much commerce and wealth to the lucky few savvy enough to take advantage of the tourism that is pervading the Three Gorges Dam. It's a small personal story writ large and its unabashed cinematic grandeur speaks to the kinds of emerging young voices directing today's most impactful nonfiction filmmaking. Here's a link to the trailer.
Chang had this to say about the importance of the Amsterdam fest, the launching point for the carefully-crafted festival strategy of his debut feature: “I love the bombast in which the festival showcases documentary films—lifting them up on a pedestal. I really admire the audiences and their responses to the films, the buzz that makes people want to watch and weigh in. . . . It’s important to treat docs as movies, as cinema. I didn’t know how vital IDFA was until I was informed it was the most important fest in the world for docs, that it is the event for docs in Europe.”
Like most independent filmmakers, he's taken it upon himself to try and help the subjects of his film. Fresh off the headiness of his debut at IDFA, he's making the most of his US debut at Sundance in this letter he sent on behalf of the Yu family, and the fund he 's helped start for the subjects of his film. Here it is in its entirety:


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